As we have progressed through generations from those old CRT displays to Qdot backlit LCD panels and Laser/Phosphor digital cinema projectors, we still need transfer functions to ensure visual perceptual accuracy. Adjusting for those nonlinearities is why we need transfer functions now and into the future.
Dynamic range is a central principle in cinematography and videography. It is also critical for describing and evaluating display technology. Read on!
The PRISM feature-set continues to grow and, as live production becomes ever more demanding, it continues to accommodate those needs. Among the most recent new, production-oriented features is what we call “multi-input mode”.
Another great contribution from our very own Paul Turner! The history of High Dynamic Range (HDR) As I’ve mentioned previously, one thing we know to …
By Dan Castles NAB is always a time good time to reflect on the state of the industry, how the landscape has shifted. Just as …
Over the years, the broadcast industry has moved away from tape-based workflows to file-based workflows. Since this transition, Quality Control (QC) has become an important …
4K, 8K, HDR or UHD? The talk on and around 4K/UHD video has increased considerably recently. Specifically, many TV manufacturers have been proclaiming that this …
In our last blog about Ultra High Definition (UHD), we covered the spacial resolution of the human visual system, and how (horizontally) the highest frequency the …
![What’s truth and what’s hype? [4K, 8K, HDR and UHD]](https://kborigin.telestream.net/wp-content/uploads/2016/08/k.jpeg)
